Robert Stokvis

I was born 1965 in Vienna to a Dutch father and a German-Polish mother. I spent my early childhood in Italy and completed academic studies in Vienna (Doctorate, University of Economics), Rotterdam (Diploma in European Studies, Erasmus University) and Cambridge (Master of Science/MBA, MIT Massachusetts Institute of Technology/Sloan School of Management).

In the 1990s I worked as a business consultant in Berlin and was part of the effort to privatize the former East German economy. From there I joined the Board of Directors of a mining company and later became an industrial entrepreneur producing insulating refractory bricks in Saxony (Germany).

I moved to London in 2001 and set up Concept Films to produce films that challenge traditional filmmaking. In 2011 I moved to Austria where I continue to develop new film projects.

Robert Cambrinus

In 2002 I graduated from East 15 Acting School, now Essex University, where I attended the Media Course. My first job was an acting role in a BBC production. Soon afterwards I started to develop my own film projects. I have been making short films since 2005 screening them internationally at film festivals. In my short films I explore aspects of subjective cinema, the destruction of illusion and the receptive process.

In 2014/15 I held a scholarship at the HFF Munich (Hochschule für Film und Fernsehen/DrehbuchWerkstatt) where I developed a conventional feature film script.

An interview discussing my short films on Okto TV from 2018 is still available online (in German).

In August 2021 my experimental feature-length film Family Constellations (Familienaufstellung) received its premiere at Nowe Horyzonty in Wroclaw, Poland.

Sonic Interstices

In her article film scholar Laura Rascaroli discusses aspects of essayistic voiceovers on the basis of my short film Commentary. Published in Media Fields Journal (University of California, Santa Barbara) 09/2011 - available online or as pdf.

In the cinema

In this article I develop some ideas about the integrity of the film viewing experience and the nature of the receptive process. It is available as pdf in English and German and was published in, Issue 23: The Future of Short Film. Available as print magazine from or